Soka Art will hold the "Future Museum - Artists Group Exhibition" from 6th June (Sat.) to 20th (Sat.), bringing works by 11 artists from all over the world: Mao Xuhui, Chang Chingwen, Zeng Jianyong, Peng Hsienhsiang, Yang Hong, Tan Jun, Showichi Kaneda, Daniel Eskenazi, Jumaldi Alfi, Natee Utarit, and Pintor Sirait. Each artist's work reflects the different aspects and cultural connotations of modern life. We invite you to appreciate these works as a future man and rethink what kind of record do you want to leave the most? What do you expect to tell your offspring in the future?

This exhibition focuses on the concept of Asian contemporary art. Soka is the first art gallery to introduce Southeast Asian art to galleries in Taiwan, showing works from Indonesian artist Agus Suwage, Thai artist Natee Utarit and Filipino artist Gabriel Barredo. Their unique styles are ahead of their times, yet incorporated with local cultures and traditions. Soka has a close relationship with the art industry in Japan and Korea. We have hosted tours for prominent minimalist Korean artists, becoming the very first art organization in Taiwan to exhibit Korean minimalist works. This time, we present Park Seo Bo’s famous “Ecriture” series from his earlier works and contemporary Korean ink artist Moon Bong Sun’s works. Representing the Japanese contemporary art are works of Yayoi Kusama and Yoshitomo Nara, who both are trend-setting and well-known artists.

The opening exhibition includes works by 31 internationally renowned artists. These come not only from the Soka Art Collection but also from artists invited to participate in the exhibition by the curators. The exhibition theme “High in the Clouds” comes from the recently popular technological idea of “Cloud Computing,” signifying the hopes and expectations that still very much motivate Soka Art as it fast approaches its twentieth birthday.

Natee's sense of memory and the past led him to the mystification of western civilization in the Asian context: First, a sense of the past, and childhood, in his reference to antique prints and toys; secondly, myths in Thai culture; and finally, Western influence in Thai (and world) history.