"From writing to concept" is the prime feature of the contemporary development of Chinese characters. We can observe, in works of Inoue Yuichi, the spirituality of Chinese character when it transcends the norm and tradition. In comparing "Shu Xiang" (Image of Characters) of Chinese characters with western abstractism, the works of Wei Ligang bring to our attention the potential of Chinese characters in constructing image, which is thoroughly exhibited in the depth and width of Wei's works. Chen Guangwu introduces conceptual thinking into writing: how to exhibit art among the entanglement of the black and white in ink painting, and of Yin and Yang of the world? Cheng Puyun is more inclined to restore the strokes of Chinese characters - to present the image built by every "enchanted" stroke in writing. Is that the voice of Nature? Gu Wenda combines .....

Moon Bong-sun’s work is always vacant or full. A plane unfolding in his work will appear empty or covered with dense fog. Landscapes he depicts appear complete and not fragmented. In Moon’s work, a part is an extension of the whole. A lonely tree stands on a horizontal plane, and tall weeds flourish. His landscapes appear subdued. Unfolding planes are serene within the dim view. Tranquil landscapes appear exceptionally lonesome. The remaining trace of a setting sunlight ripples through our heart like the tide.