Exhibitions

  • Senven Point Five Percent

    Jun 30 - Aug 19, 2012

    China's "growth" slowed from an expected 8% to 7.5% in the second quarter of this year, a pace that seems to signal the start of a period of slower growth.The "slow growth" of economy will bring much more anticipated space than that of art ecology. Under such a theme, the exhibition aims to focus on the existence, nature, confidence, probability and survival strategy of art in the name of art.
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  • In Between Color and Mood

    Apr 14 - May 27, 2012

    Looking back at the art scene in China, Wang Yigang stands out as one of the most representative artists who use abstract forms and artistic language for their creative style. Wang began his creative career of three decades with Western Cubism. After experimenting with the juxtaposition of figurative and pop art images, he slowly turned his focus to abstract expressions for the creation of dialogues in traditional Chinese landscapes. During each stage in his career, Wang continued to seek breakthroughs, while challenging himself to express diversity and innovation within his paintings.
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  • Direction - Affection of Artists' 30s and 40s

    Mar 03 - Apr 07, 2012

    Yunnan, an art group born in the 1980s, has a very close relationship with nature. Green is a common feature reflected in their works. I found and praised this feature of cultural value in contemporary urban life, and called it "green value" when promoting their works.
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  • Running On The Sidelines - Artists Group Exhibition

    Feb 25 - Mar 25, 2012

    Silas FONG is interested in the topics of time and space. Much of his works explore the urban city life and the interpersonal relationships within. In 'Waiting', the artist records people at Time Square, a familiar meeting point in Hong Kong. Stemming from the idea that economic effect and efficiency have become dominant factors in time measurement, the work looks at the changing emotions the subjects go through in the act of waiting. In 'Stolen Times for Sale' Fong attempted to steal time from strangers by disrupting the running of an elevator during rush hour. As he interrupts the closing of doors, he filmed the passengers' reactions. In a performance, the artist then sold the captured stolen times with prices accorded to the duration, number of people involved, their age, appearance and response. The work questions the value we place on time
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