The sparkling white snowflakes quietly dance in the wind, glittering with human nature. A gentle breeze blows, sprinkling the sky with a white palette. Iida Kiriko, who comes from the snowy land of Hokkaido, uses keen observation and a purely emotional mindset instead of traditional narrative to discard realism for fantasy. The mysteriously colored living entities display a gorgeous appearance, riding a white legend amidst a cold, endless fog, describing her childhood memories and imaginations, composing a poem of life from a world where people coexist with animals.

This series of exhibitions, Post-80s Generation's Modernism, attempts to establish China's own aesthetic system of modern art through the long-term observation of art practices that happen in the moment, and then research and sort out different artists. Continuing to go more in-depth after the main frame of the first exhibition last year, Post-80s Generation's Modernism II: Eastern Calligraphy selected seven post-80s artists with “Eastern calligraphy” tendencies. Manifesting their own creative aspects, artists Chen Jiaye, Hu Saienis, Li Chao, Sun Ce, and Yi Guodong specialize in painting, while artists Lin Zhi and Zhou Yiran specialize in sculpture.