Exhibitions

  • Portrait of Place - Mitsuhiro IKEDA Solo Exhibition

    Oct 31 - Dec 06, 2015

    Mitsuhiro Ikeda paintings evoke a sense of calm reflection, exploring the space between reality and imagination. Since his time as a student, he has received a large amount of international recognition from well-known arts instututions due to his unique painting style, and is one of the most closely watched up-and-coming contemporary Japanese artists. Although "Portrait of Place" will be Mitsuhiro Ikeda's first solo exhibition held in Taiwan, his work had already been exhibited at the 2014 Art Taipei, and received a large amount of recognition and acclaim during that time by both art collectors and critics.
    View exhibition details >>

  • “Moving the World”: Seeking Beauty

    Sep 12 - Nov 01, 2015

    This exhibition employs Mr. Zong Baihua’s concept of “moving the world”, and, to achieve this, three artists from different regions and eras were chosen. They are IIDA Kiriko from Japan, Tao Fa from Yunnan, and Dong Lin, who just graduated from the China Central Academy of Fine Arts with a major in sculpture. They present three different kinds of “beauty” by “moving the world” in their own ways. In the face of the gradual loss of aesthetics in contemporary art, we respond with an opposite direction. We simply start with the artists to inspire the audience’s “moving emotions”, then come seek beauty in the three artists’ “moving the world” at Soka. Through “moving the world”, the three artists make “beauty” an objective existence. First, they influence the audience visually. Then, they elevate the audience’s life and make it more interesting.
    View exhibition details >>

  • Promised Land - Zeng Jianyong Solo Exhibition

    Sep 19 - Oct 18, 2015

    Zeng's early works originated largely from the society in which he lived and his own life experience. Series of works from that time,「The Header」, 「Youthful Era」 and 「Cosplay」, mainly take young people and children as the subjects for each painting. The spatial structures have a lonely feel of distance, yet the spirit of the subjects carry an innocent gaze. This kind of expression lets the audience return to the feeling of being lost, helpless and in a deep state loneliness during one's youth. Zeng was able to perfectly fuse the conflict of apathy and innocence.
    View exhibition details >>